This summer I’ll be giving a couple of workshops on techno-diagrammatics—an art-research approach whose origin I explain here—for the Fluss Lab art residency program. This residency focuses on a trans-disciplinary approach to the art-science-technology compound, so I’m offering them a workshop that invites the residents to explore the technological modeling of capitalism through the making […]
As a continuation of an earlier post, this entry aims to explain in a little more detail my work around the notion of techno-diagrammatics and Beer’s Cybernetic Model of Contemporary Capitalism. As I expected, I discussed elements of this work in two meetings. In April, I participated in project Antikythera’s Synthetic Catallaxy workshop in Mexico […]
For some time now, I have been working with what I call techno-diagrammatics. This notion is the product of my study of an old, unpublished manuscript that Stafford Beer developed during his last visit to Chile in June-July 1973; a document in which he attempted to model the dynamics of contemporary capitalism, and which I […]