Writings – Diego Gómez-Venegas

PUBLICATIONS
as Author

2024

Gómez-Venegas, D. (2024). Forecasting the Present: A Media Archaeo-Genealogical Inquiry into Project Cybersyn. (Berlin: Humboldt-Universitaet zu Berlin). https://doi.org/10.18452/29151.

Gómez-Venegas, D. and Ö. E. İşcen (2024). “Frictional Computing.” Counter-N. https://doi.org/10.18452/29057.

Gómez-Venegas, D. (2024). “Forgetting / Cybernetics.” History of Media Studies 4. https://doi.org/10.32376/d895a0ea.c519a1b0.

2023

Gómez-Venegas, D. (2023). “Encoding from/to the Real: On Cybersyn’s Symbolic Politics of Transmission.” In Frictions: Inquiries into Cybernetic Thinking and Its Attempts towards Mate[real]ization., edited by Diego Gómez-Venegas, 91–117. Lüneburg: meson press, 2023. https://doi.org/10.14619/2164.

Gómez-Venegas, D. (2023). “Introduction: Cybernetic Thinking and Its Frictions.” In Frictions: Inquiries into Cybernetic Thinking and Its Attempts towards Mate[real]ization., edited by Diego Gómez-Venegas, 7–17. Lüneburg: meson press, 2023. https://doi.org/10.14619/2164.

[Preprint] Gómez-Venegas, D. (2023 [2020]). “Qué historia, qué tecnología, qué diseño.” MediArXiv. https://doi.org/10.33767/osf.io/dx4ny. (This essay was originally written in April 2020 for a Call for Papers of a Chilean journal, without success. More info).

2022

Cotoras, D., Gómez-Venegas, D., and J. Zerene (2022). “Three Atmospheres of Fiction and Theory for One (Post)Capitalist Struggle.” In After Progress (Digital Exhibition), curated by Dr Martin Savransky (Goldsmiths, University of London) and Dr Craig Lundy (London Metropolitan University). https://www.after-progress.com/exhibition.

2021

Gómez-Venegas, D. and B. Bielitz (2021). “Remoteness of Light: Reflections on an Episteme of Space-Time and the Design of Nature.” In Darkeness. The Dynamics of the Darkness in the North, edited by Daniel Chartier, Katrin Anna Lund and Gunnar Thór Jóhannesson, 87–104. Québec and Reykjavík: Imaginaire Nord and Land- og ferðama lafræðistofa, 2021.

Gómez-Venegas, D. (2021). “Cybersyn desde la “escuela berlinesa” de estudios y teorías de medios – una perspectiva poshumanista.” Cuadernos de Beauchef 5, no. 1 (September 2021). (ISSN: 2452-493X). Link to original version: https://doi.org/10.33767/osf.io/acgjq.

Cotoras, D., Zerené, J. & Gómez-Venegas, D. (2021). “Towards the Operative Objects of Post-Capitalism: A Critical Cultural- And Media-Theoretical Refusal on the Chilean Case (1973-2023).” APRJA 10, no. 1. (ISSN: 2245-7755). DOI: https://doi.org/10.7146/aprja.v10i1.128186.

Gómez-Venegas, D. (2021). “Redes vivas: trans-corporalidad y tecno-individuación.” La Fuga 25. (ISSN: 0718-5316).

[Preprint] Gómez-Venegas, D. (2021). “Whose Virus – Whose Code.” MediArXiv. https://doi.org/10.33767/osf.io/ejqks.

2020

Gómez-Venegas, D. (2020). “Forgetting / Cybernetics.” Chronus Art Center Editorial 1.

2019

[Translation] Bal, M. (2019). “El compromiso con el mirar.” Canal: cuadernos de estudios visuales y mediales 2/3. (ISSN: 0719-8825).

Gómez-Venegas, D. (2019). “Cybersyn y la memoria simbólica del papel.” Artnodes 23. (ISSN: 1695-5951).

[Preprint] Gómez-Venegas, D. (2019). “Existencias técnias y el mundo de las máquinas: Notas entre la individuación de Simondon y el mundo simbólico de Kittler.” MediArXiv. https://doi.org/10.33767/osf.io/r457d.

2018

Gómez-Venegas, D. (2018). “Apuntes para una arqueología sobre aspectos no-visuales de Cybersyn.” In Daniel Cruz (ed.), Intersecta: Seminario de Artes Mediales (pp.71-78). Santiago: Ediciones Departamento de Artes Visuales, Facultad de Artes, Universidad de Chile. (ISBN: 978-956-19-1099-7).

Gómez-Venegas, D. (2018). “La máquina abierta – Una máquina odisea: una nota sobre cantos, entre Friedrich Kittler y François Léon.” Revista Qual Quelle 1.

Gómez-Venegas, D. (2018). “Experimental Design as an Archaeological Practice.” Diseña 12. (ISSN: 0718-8447).

2016

Gómez Venegas, D. & Marchant Lannefranque, M. (2016). Mediaciones Algorítmicas para el Agonismo: Notas de investigación-creación en torno a diseños confrontacionales. Santiago, CL: The Authors. (ISBN: 978-956-362-485-4)

Gómez Venegas, D. (2016). “The Algorithmic as Agonistic Agency:  Approaches on Experimental Design, the Politics of Codes, and Post- Anthropocentric Paradoxes in (Media) Cultures”. In Proceedings of ISEA: Cultural Revolution 2016 Conference. Hong Kong, Hong Kong, May 16-22, 2016. (ISBN: 978-962-442-397-6)

2015

Gómez Venegas, D. (2015). “Designing Technological Apparatuses for Confrontation”. In Proceedings of Relating Systems Thinking and Design (RSD4) 2015 Symposium. Banff, Canada, September 1-3, 2015. (ISBN: 978-0-9950245-0-2)

2013

Gómez Venegas, D. et al. (2013). “Mediaciones Algorítmicas para la Percepción de la Ciudad y su Apropiación Agonista”. In Proceedings of the XVII Congreso de la Sociedad Iberoamericana de Gráfica Digital: Knowledge-based Design. Valparaíso, Chile: Universidad Técnica Federico Santa María. (ISBN: 978-956-7051-86-1)

2012

Gómez Venegas, D. (2012). “El Diseñador como Hacker”. In Revista Chilena de Diseño, 2, 95-104. (ISSN: 0718-2430)

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PUBLICATIONS
as Editor

2023

Gómez-Venegas, D., ed. (2023). Frictions: Inquiries into Cybernetic Thinking and Its Attempts towards Mate[real]ization. (Lüneburg: meson press, 2023). https://doi.org/10.14619/2164.

2017

Gomez-Moya, C. & Gómez Venegas, D., editors (2017). CANAL 1, “Máquinas arqueológicas / Archaeological Machines.” (ISSN: 0719-8825)

2016

Gomez-Moya, C., Gómez Venegas, D., Marchant Lannefranque, M. & Daniel Opazo Ortíz, editors (2016). Brevario sobre la forma más allá del canon: Aciclopedia. Santiago: Universidad de Chile. (ISBN: 978-956-362-967-5)

2014

Gómez-Moya, C. & Gómez Venegas, D., editors (2014). Proceedings of the 2nd Encuentro Nacional de Nuevos Medios: Visualidades [datos, archivos, colecciones] Nuevos humanismos en la politización de la imagen. Santiago, Chile: Universidad de Chile. (ISBN: 978-956-19-0845-1)

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MFA THESIS

2011

Gómez Venegas, D. (2011). Visualizations for Techno-Political Imaginaries: Studying Design Practice in Relation to Discourse. Master of Fine Arts in Design Media Arts. Department of Design Media Arts, University of California Los Angeles. Los Angeles, CA. United States of America.