Writings

PUBLICATIONS
as Author

2023

[Forthcoming] Gómez-Venegas, D., ed. (2023). Frictions: Inquiries into Cybernetic Thinking and Its Attempts towards Mate[real]ization. (Lüneburg: meson press, 2023). https://doi.org/10.14619/2164.

[Preprint] Gómez-Venegas, D. (2023 [2020]). “Qué historia, qué tecnología, qué diseño.” MediArXiv. https://doi.org/10.33767/osf.io/dx4ny. (This essay was originally written in April 2020 for a Call for Papers of a Chilean journal, without success. More info).

2022

Cotoras, D., Gomez-Venegas, D., and J. Zerene (2022). “Three Atmospheres of Fiction and Theory for One (Post)Capitalist Struggle.” In After Progress (Digital Exhibition), curated by Dr Martin Savransky (Goldsmiths, University of London) and Dr Craig Lundy (London Metropolitan University). https://www.after-progress.com/exhibition.

2021

Gómez-Venegas, D. and B. Bielitz (2021). “Remoteness of Light: Reflections on an Episteme of Space-Time and the Design of Nature.” In Darkeness. The Dynamics of the Darkness in the North, edited by Daniel Chartier, Katrin Anna Lund and Gunnar Thór Jóhannesson, 87–104. Québec and Reykjavík: Imaginaire Nord and Land- og ferðama lafræðistofa, 2021.

Gómez-Venegas, D. (2021). “Cybersyn desde la “escuela berlinesa” de estudios y teorías de medios – una perspectiva poshumanista.” Cuadernos de Beauchef 5, no. 1 (September 2021). (ISSN: 2452-493X). Link to original version: https://doi.org/10.33767/osf.io/acgjq.

Cotoras, D., Zerené, J. & Gómez-Venegas, D. (2021). “Towards the Operative Objects of Post-Capitalism: A Critical Cultural- And Media-Theoretical Refusal on the Chilean Case (1973-2023).” APRJA 10, no. 1. (ISSN: 2245-7755). DOI: https://doi.org/10.7146/aprja.v10i1.128186.

Gómez-Venegas, D. (2021). “Redes vivas: trans-corporalidad y tecno-individuación.” La Fuga 25. (ISSN: 0718-5316).

[Preprint] Gómez-Venegas, D. (2021). “Whose Virus – Whose Code.” MediArXiv. https://doi.org/10.33767/osf.io/ejqks.

2020

Gómez-Venegas, D. (2020). “Forgetting / Cybernetics.” Chronus Art Center Editorial 1.

2019

[Translation] Bal, M. (2019). “El compromiso con el mirar.” Canal: cuadernos de estudios visuales y mediales 2/3. (ISSN: 0719-8825).

2018

2016

Gómez Venegas, D. & Marchant Lannefranque, M. (2016). Mediaciones Algorítmicas para el Agonismo: Notas de investigación-creación en torno a diseños confrontacionales. Santiago, CL: The Authors. (ISBN: 978-956-362-485-4)

Gómez Venegas, D. (2016). “The Algorithmic as Agonistic Agency:
 Approaches on Experimental Design, the Politics of Codes, and Post- Anthropocentric Paradoxes in (Media) Cultures”. In Proceedings of ISEA: Cultural Revolution 2016 Conference. Hong Kong, Hong Kong, May 16-22, 2016. (ISBN: 978-962-442-397-6)

2015

Gómez Venegas, D. (2015). “Designing Technological Apparatuses for Confrontation”. In Proceedings of Relating Systems Thinking and Design (RSD4) 2015 Symposium. Banff, Canada, September 1-3, 2015. (ISBN: 978-0-9950245-0-2)

2013

Gómez Venegas, D. et al. (2013). “Mediaciones Algorítmicas para la Percepción de la Ciudad y su Apropiación Agonista”. In Proceedings of the XVII Congreso de la Sociedad Iberoamericana de Gráfica Digital: Knowledge-based Design. Valparaíso, Chile: Universidad Técnica Federico Santa María. (ISBN: 978-956-7051-86-1)

2012

Gómez Venegas, D. (2012). “El Diseñador como Hacker”. In Revista Chilena de Diseño, 2, 95-104. (ISSN: 0718-2430)

PUBLICATIONS
as Editor

2017

CONFERENCES

2019

Gómez-Venegas, D. (2019). “Existencias técnicas y el mundo de las máquinas: Notas entre la individuación de Simondon y el mundo simbólico de Kittler” At the Individualización algorítmica: sociedad contemporánea desde el pensamiento de Simondon Seminar. Santiago, Chile.

2018

Gómez-Venegas, D. (2018). “Symbolic Confrontations and Algorithmic Agency: A media archaeological inquiry on the agonistic struggle between telling and counting in the Cybersyn case study.” At the Medien, die wir meinen Kolloquium, Humboldt Universität zu Berlin. Berlin, Germany.

2016

Gómez Venegas, D. (2016). “The Algorithmic as Agonistic Agency:
 Approaches on Experimental Design, the Politics of Codes, and Post- Anthropocentric Paradoxes in (Media) Cultures.” At the ISEA: Cultural Revolution Conference. Hong Kong, Hong Kong.

Gómez Venegas, D. & Álvarez Dumont, A. (2016). “Nature ex-novo: Re-designing Nature and its Margins in Chile Through Agonistic Apparatuses for Collecting, Archiving and Representing Seeds.” At the Balance Unbalance 2016 conference. Manizales, Colombia.

2015

Gómez Venegas, D. (2015). “Designing Technological Apparatuses for Confrontation.” At the Relating Systems Thinking and Design (RSD4) 2015 Symposium. Banff, Canada.

Gómez Venegas, D. & Echaíz Bielitz, B. (2015). “Remoteness of Light.” At the Dynamics of Darkness in the North conference. Reykjavík, Iceland.

2014

Gómez Venegas, D. (2014). “A Brief Introduction on Algorithmic Mediations for Agonism.” At the Interface 2014: Transmediating Cultures conference. Ottawa, Canada.

2013

Gómez Venegas, D. et al (2013). “Mediaciones algorítmicas para la percepción de la ciudad y su apropiación agonista.” At the SIGraDi 2013 conference. Valparaíso, Chile.

Gómez Venegas, D. (2013). “Diseño de Mediaciones Tecnológicas y lo Político en la Universidad Pública.” At the 1st National Biennial of Design, Faculty of Architecture, Design and Urbanism, University of Buenos Aires. Buenos Aires, Argentina.

2012

Gómez Venegas, D. (2012). “El Diseñador como Hacker.” At FILE Symposium.
Sao Paulo, Brazil.

2010

Gómez Venegas, D. (2010). “Design, Power, New Media, and Discourse.” At the 4th Young Investigators Forum on Culture Technology (YoungCT), Korea Advanced Institute of Science and Technology (KAIST). Daejeon, South Korea.

MFA THESIS

2011

Gómez Venegas, D. (2011). Visualizations for Techno-Political Imaginaries: Studying Design Practice in Relation to Discourse. Master of Fine Arts in Design Media Arts. Department of Design Media Arts, University of California Los Angeles. Los Angeles, CA. United States of America.